Films: Argentina

Mañana los Restos

Afiche MLR

A man is finishing up his working day. One of his co-workers is taking down some old paintings. His way home from work won’t be the same.
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El Chicho

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Chicho dives into the days of a country man after a significant loss and into the violence and tension between him and his next door neighbor.
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Pastel de Cereza

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Sofia is sixteen, she likes to talk over the phone with her older sister who lives in the city and smoking secretly. Maria Lujan, her best friend, likes black coffee and butter cookies; she has a girlfriend and never hesitates when doing what she feels. But one night Lujan has its first fear: Sofia kisses a girl. Lujan is filled with love but also with the certainty that falling in love is not an option.
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El Padre

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The director of the film starts on a journey, aiming at clarifying the circumstances surrounding the death of her father during her childhood. Learning the fact that he had not died in a train accident mobilizes her to break the silence and she starts questioning the concealed social and family closets environment. This journey allows her to unbury a father whom she will finally start to feel as hers.
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La Moza y el Cocinero

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The waitress and the cook are the owners of an Italian Restaurant, but they deceive their clients and one night their fraud is discovered.
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Cuando las Gaviotas

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Two young boys find themselves tormented by constant emotional changes and instant travels, while both are trying to communicate with whoever feels on their behalf.
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La Curva te lleva Derecho

LACURVAFINAL

Evitando el aspecto quirúrgico en la revisión de la propia realidad, Santiago, al contrario de diseccionar, cuenta la historia de su presente, desde su mismo presente. Santiago comparte con sus estudiantes su vida personal y amorosa teñidos por el mito y la fantasía, ofreciéndoles una enseñanza única y personal.
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No Hay Bestias

NHB Poster 1 SPANISH FINAL

After the mysterious disappearance of his aunt, Mateo begins to remember his childhood at her land in the wild. Between a series of telephone conversations, pierced with the images of two families in the same house, we enter a timeless journey bounded by three stories where the visible occupants get mixed up with the invisible ones.
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La Lengua que se Comió el Gato

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Josefina spends an afternoon at the home of his father. The visit is distressing because she does not feel part of the family ties.
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